lectures for non-participants

Lectures by
Harry GreGson-WillIams

Moscow Film School

March 21

TBC

Moscow Film School

March 21

TBC

Moscow Film School

March 21

TBC

Film Making Team & Film composition industry

Understanding all major roles within a film production team,exploring the practical financial side of composition within that framework, Including discussions of royalties, fees and creating a sustainable career

Music programming and mixing

Overview of modern sample libraries, choice of instruments for the project, importance of phrasing, working with a click (action scene) and tempo mapping, Music in the full mix of the film (balance) within different sound layers.
Mixing: common mistakes. How to prepare your music for mixing. Samples and Live Orchestra Compatibility (Hybrid music)

Running a Music Team & Q&A

A practical look inside the music team on a film or TV score, including how to budget for sessions, working with orchestrators, engineers, assistants and copyists, followed by Q&A session with the participants

Film Making Team & Film composition industry

Understanding all major roles within a film production team,exploring the practical financial side of composition within that framework, Including discussions of royalties, fees and creating a sustainable career

Music programming and mixing

Overview of modern sample libraries, choice of instruments for the project, importance of phrasing, working with a click (action scene) and tempo mapping, Music in the full mix of the film (balance) within different sound layers.
Mixing: common mistakes. How to prepare your music for mixing. Samples and Live Orchestra Compatibility (Hybrid music)

Running a Music Team & Q&A

A practical look inside the music team on a film or TV score, including how to budget for sessions, working with orchestrators, engineers, assistants and copyists, followed by Q&A session with the participants

Film Making Team & Film composition industry

Understanding all major roles within a film production team,exploring the practical financial side of composition within that framework, Including discussions of royalties, fees and creating a sustainable career

Music programming and mixing

Overview of modern sample libraries, choice of instruments for the project, importance of phrasing, working with a click (action scene) and tempo mapping, Music in the full mix of the film (balance) within different sound layers.
Mixing: common mistakes. How to prepare your music for mixing. Samples and Live Orchestra Compatibility (Hybrid music)

Running a Music Team & Q&A

A practical look inside the music team on a film or TV score, including how to budget for sessions, working with orchestrators, engineers, assistants and copyists, followed by Q&A session with the participants

Only 20 spots for non-participants are available.

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Only 20 spots for non-participants are available.

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Only 20 spots for
non-participants
are available.

In the frame of NGC Lab 2021, our mentor Harry Gregson-Williams will present an open workshop during which he will introduce his creative process, speak about the peculiarities of working with different directors, revealing the secrets of creating an authentic film atmosphere, illustrating it with music. This event will be interesting to a wide audience, including professional community

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Open performance by Harry Gregson-Williams

Karo

March 20, 2022

Language: English

Ilya Efimov will deliver a lecture on the specifics of using virtual music instruments for film music writing and speak about the development and production of virtual music instruments

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WORK WITH SOUND LIBRARIES: LECTURE BY ILYA EFIMOV

Moscow Film School

TBC

Language: Russian+English

Orchestral Tools team member Maxime Luft will deliver a lecture on their orchestral sound libraries recorded by finest Berlin Philharmonic orchestra's musicians.

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Orchestral sound libraries: Lecture by Orchestral Tools